One of the refrains that has survived from my first set of psalms written in 1995 with psalm tone and verses from the new Revised Grail Psalter. The choir is in a new location for this Mass, just over my right shoulder in the front area of the upper sanctuary. We have previously been in the back area of the upper sanctuary much closer to the organ.
Recorded live 2 April 2016 (iPhone)
Cathedral of Mary Our Queen
Psalm 103 with the response “The Lord is kind and merciful,” appears several times in the lectionary cycle. This was recorded at a wedding, so the small congregation is hard to hear. Only two verses are included in this video because the lack of memory on my iPhone prevented me from capturing the entire psalm setting.
As one of my primary interests is improvisation, I am always looking for ways to include improvisation in the liturgy. Here is a responsorial psalm built over a simple two-chord progression. The refrain melody is composed to fit over the chords, and while there are verses written out in the score, the cantor (as demonstrated here) is free to improvise the melody for each of the verses.
This video was recorded at the Easter Vigil which begins in darkness, so the lighting is very dim. Sadly, my iPhone ran out of memory, so I am only able to share the first verse here.
The music for this composition is included in the Feasts and Solemnities volume of the Audubon Park Psalter.
For many years when planning large multilingual diocesan celebrations, I felt Latin would be the best option for the Mass Ordinary. Because these special celebrations often are festive occasions where I had supplemental instrumental resources, using the traditional Latin chants always felt out of place, especially for the Gloria which follows so soon after what typically is a rousing entrance procession. Even though I love chant, the contrast between styles always seemed to make this hymn of praise more of a funeral dirge.
Finally, I took the time to write a more festive accompanied setting of the Latin text for the closing celebration of the Centennial of Holy Redeemer Catholic Church in Kissimmee, Florida. While I may eventually do an SATB version and instrumental parts, the piece was first performed by on June 30, 2013 in unison by the combined choirs of Holy Redeemer. There is a congregational-friendly refrain and the verses are marked for women/men/all choral groupings but could just as easily be sung by a cantor alone.
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