Recorded with my iPhone, this performance of Psalm 118 – This Is the Day – is from the 11am Mass at the Cathedral of Mary Our Queen in Baltimore. Brass quartet plays the choral parts on the refrain.
The music for this composition is included in the Feasts and Solemnities volume of the Audubon Park Psalter.
The Chrism Mass is the annual celebration where the archbishop blesses the oils for use throughout the archdiocese and the priests renew their vows of service. It is one of the events that generally fills the Cathedral every year. As with other special diocesan celebrations, these are people that have chosen to be here, so are willing to sing and participate. Here’s the responsorial psalm (from the Audubon Park Psalter)recorded by my iPhone placed on the organ console in the balcony. Brass are to my right. Choir is on the left, and the cantor is in the pulpit half-way down the building.
The music for this composition is included in the Feasts and Solemnities volume of the Audubon Park Psalter.
I first registered this piece for my concert at the Cathedral last March. The concert was played from the sanctuary console so that I could be visible to the audience. Up until this week, I had no easy way to transfer the pistons from one console to another. Here’s my first performance of the Howells from the rear console. Check back later for a demonstration of how I moved two levels of memory in less than 10 minutes.
When I pulled out the hymnal yesterday to practice, I stumbled upon “There Is a Balm in Gilead.” Having spent the previous few minutes exploring harmonic color, I decided to see how I could spice up this simple tune.
Thanks to the snow storm, I was able to spend a couple of hours at the Cathedral today practicing. After some more technical exercises, I started flipping through the hymnal and improvising on different tunes. Marty Haugen’s ‘Gather Us In’ is an up-tempo tune that is more often associated with piano and guitars than the organ. I decided to slow it down and spice it up a bit for a more relaxing prelude style piece. Enjoy!
During a wedding consultation this week, a bride asked to record her selection for the entrance procession in order to play it for her mother. Rather than have her record just the audio, I quickly set up my mini-tripod and made a video. The aisle at the Cathedral is rather lengthy, so this is a popular choice for weddings here. I could have done more with the registration, and you don’t catch all the differences because I’m recording near the front organ, but I’m happy to share this impromptu performance of a popular work.
Our second reading today from Ephesians tells us to:
Be filled with the Spirit, addressing one another in psalms and hymns and spiritual songs, singing and playing to the Lord in your hearts, giving thanks always and for everything in the name of our Lord Jesus Christ to God the Father.
We are encouraged to express our gratitude through music. Studies actually show that expressing thanks leads to happiness. Music also has the power to change your emotions. The combination of expressing gratitude in song would seem then to be very potent and therefore very fitting of our worship of God the creator of all.
Aside from these bulletin columns, many of you only hear me speak through music. While I hope it is apparent in my song, I’ll take a moment to express my thanks to you for allowing me to serve as the music director here. The organ and building are a fabulous inspiration and definitely contribute to my happiness. For the instrument and the beauty of this Cathedral I give thanks.
I am also thankful for all the others who make music with me in this space. Not just the choir, cantor, and instrumentalists, but all of the people in the pews that sing. One of my greatest joys is congregation that sings enthusiastically. For all the people who make music in this space, I give thanks.
But the reading today doesn’t restrict the instruction to only trained musicians. All of us are to be grateful and address one another in song. My hope is that all of you who gather here to worship raise your voice in song for the psalms, hymns and acclamations that we sing, but if you truly enjoy singing or playing a musical instrument, I’d like to invite you to share that joy by becoming part of the designated music ministry here. While being able to read music might be an advantage, it is not a requirement for joining. (That’s one of the reasons we have rehearsals!) Call me (410-464-4020), email me (gosborne@cmoq.org), or speak to me after Mass if you enjoy making music and are interested in giving thanks always in song.
When we attend Mass, we are expected to bring our body, mind, and spirit to the celebration. Even though it may be tough to make it out of the bed on Sunday mornings, getting our body here is probably the easiest of the three. Making sure our mind and spirit are here with our body requires a little more effort.
Especially in today’s culture, we have become very passive and are more accustomed to watching something happen than making it happen. In some of the mega-churches, worship has even become a passive activity with nice plush seats where you can sit and watch the work of the pastor, musicians and video tech people. In our celebration of Mass however, we are expected not just to sit and listen, but also to stand, kneel, sing and pray.
Participation must also be external, so that internal participation can be expressed and reinforced by actions, gestures, and bodily attitudes, and by the acclamations, responses, and singing. The quality of our participation in such sung praise comes less from our vocal ability than from the desire of our hearts to sing together of our love for God. Participation in the Sacred Liturgy both expresses and strengthens the faith that is in us. (Sing to the Lord, #13)
These actions performed with our bodies help to bring our mind and spirit to the celebration. Doing this as a community of believers can give us strength to persist through dark times. Knowing others also share our love for God can give us the courage to share the message with others who may not know or may have forgotten the love of God for them.
Getting here is only the first step. Sit, stand, speak up, and sing: these are the actions necessary to worship with our body, mind and spirit.
Each conference of The Hymn Society attempts to draw upon local resources for ideas and conference topics. This year’s conference was in New Orleans, so was flavored with a lot of jazz music and discussion about the use of jazz, gospel, and spirituals in worship. Jazz music expects a lot of improvisation from the performers, and one of the workshops I attended looked at how this musical creativity could be carried over beyond the music into how we worship.
A performer in a jazz ensemble has to listen and be aware of what the other players are doing. I wrote about this a couple of weeks ago when I compared participating in Mass to driving. Jazz performers often read from a lead sheet, which will give minimal information about the piece of music and will serve as the guide for what gets created. The rest must come from the interaction between the players. The ensemble will fall apart if one of the players stops paying attention to the others.
In order to be able to create music in the moment, it is most helpful to know the other players. To improvise requires making an individual statement. This requires courage on the part of the speaker (musician) and will happen most naturally when there is trust in the room. Do you get nervous when you have to speak to a new group of people? How much more comfortable are you speaking to familiar friends and family? The same idea holds with a jazz group. If the musician knows and trusts the other players (and the audience), then he or she can be free and truly creative in his or her musical expression. An unresponsive audience or group of players can lead a jazz musician back into a comfort zone of trite and unimaginative music that becomes dull and boring for everyone involved.
Singing is making a personal statement. Even if you are not required to improvise, using the voice requires a personal commitment and some level of trust in the room. Instrumentalists can pass problems off to the instrument, but the voice is part of ourselves, so any critics of our sound become very personal judgments. I would guess that most people are willing to sing ‘Happy Birthday’ in a group of friends and family because there is trust in the room. What can we do to build trust in the room here at the Cathedral so that everyone feels comfortable singing their faith in worship?
Bulletin Notes for the Cathedral of Mary, Our Queen, August 2, 2015
Celebrities often have large crowds that follow them. In today’s readings, both Elisha and Jesus have a large group following them. In our modern times, we count followers on Twitter and likes on Facebook to establish celebrity status, but what sort of nourishment do we get from these modern-day stars?
One of the advantages of attending conferences is being able to meet some of the current celebrities. While church music gatherings may not attract much attention from popular media, each organization has its own set of current rock stars. One of the people I was fortunate to meet for the first time at The Hymn Society conference in New Orleans was Sr. Delores Dufner, OSB, author of the text for our offertory hymn this weekend.Sr. Delores is a member of St. Benedict’s Monastery in St. Joseph, Minnesota, and holds Master’s Degrees in Liturgical Music and Liturgical Studies. She was a church musician and teacher of school music and private piano lessons for twelve years, and Liturgy Director for her monastery for six years. She also served as Director of the Office of Worship for the Diocese of St. Cloud for fifteen years. Sr. Delores has hymns published in the United States, Canada, Great Britain, Australia, and China. She has received 45 commissions to write texts for special occasions and has published over 155 hymns, many of which have several different musical settings and appear in multiple publications. The hymn we sing today was written for the 1994 National Association of Pastoral Musicians regional convention. Probably her best-known hymn text is “Sing a New Church.” You can hear her speak about writing hymns on YouTube. I have used many of her texts, so was delighted to discover her seated next to me at one of the plenary sessions at The Hymn Society. I felt like I was meeting a modern rock star!
While many of our modern celebrities may provide entertainment, rarely do they provide nourishment for our mind and soul. Sr. Delores nourishes us today with her hymn text and, at the same time, reminds us that Jesus Christ is the one who takes the little we have and multiplies it until all are satisfied.
Hoping the music will nourish your faith,
Glenn
Bulletin Notes for the Cathedral of Mary, Our Queen, July 26, 2015