Tag: Mass

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Mutli-tasking at Communion

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Multi-tasking is a very difficult skill, and at least according to some studies something that we never really can do. Regardless of how much it may appear that we are doing at the same time, researchers have found that our brains can only focus on one task at a time. To multi-task, our minds simply switch between tasks very quickly. Compared to our busy lives, attending Mass may not seem like multi-tasking, but there is at least one moment I’d like to mention today when the norms given for celebrating Eucharist expect us to do different things at the same time: receiving communion.

The General Instructions of the Roman Missal indicate:

“While the Priest is receiving the Sacrament, the Communion Chant is begun, its purpose being to express the spiritual union of the communicants by means of the unity of their voices, to show gladness of heart, and to bring out more clearly the ‘communitarian’ character of the procession to receive the Eucharist. The singing is prolonged for as long as the Sacrament is being administered to the faithful.” (GIRM, no. 86)

The implication of this instruction is that we have to walk and sing at the same time. Further help is provided in Sing to the Lord: “In order to foster participation of the faithful with ‘unity of voices,’ it is recommended that psalms sung in the responsorial style, or songs with easily memorized refrains, be used.” (STL, no. 192) By using music with refrains, we are less dependent on a book where we have to read every word of the song. We will have some time where we can focus simply of walking and receiving Eucharist while the cantor or choir sings verses. Because the song is expected to continue “for as long as the Sacrament is being administered,” there will also be a chance to sing while you do not have to walk.

Reading the words to a song while walking around definitely qualifies as difficult multi-tasking, which is why every song I plan for us to sing during Communion has a refrain. I hope these refrains are simple enough and become familiar enough that even if it seems a daunting task, you will be able to meet the challenge and become a successful multi-tasker.

Glenn

Bulletin Notes for the Cathedral of Mary, Our Queen, May 3, 2015

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CFCArts Mozart’s Mass in C Minor

CFCArts_MozartsMass_Poster_B-667x1024Central Florida Community Arts’ (CFCArts) 4th annual Summer Classical season concert will feature Mozart’s Mass in C Minor K. 427. The CFCArts Classical Choir will perform the work, along with a full chamber orchestra. Described as “ambitious,” “elaborate” and “a perfect synthesis between classical harmony and baroque counterpoint,” this unfinished work of Mozart’s was composed in Vienna in 1782 and 1783, as a celebration of his marriage.

Mozart’s Mass in C Minor K. 427 will take place (only) at 7:30pm on Friday, August 8 at St. John Lutheran Church, 1600 S Orlando Ave, Winter Park, 32789. Tickets are $10 per person and children age 12 and under will be admitted for free.

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Summer adventures

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CarlMaultsByGlennOsborneSmGod Is Gone Up

Last Thursday, it was my pleasure to attend the festival choral Eucharist at St. Richard’s Episcopal Church in Winter Park where the St. Richard’s Schola under the direction of Dr. Carl MaultsBy gave the premier performance of my composition God Is Gone Up. I was very fortunate to be accompanied by a classmate from Westminster Choir College who blogs about her church visits. You can read her write up about the experience at Some Disagree with Mom. As it seems few churches actually celebrate on Ascension on Thursday in this area, there were several other musicians in attendance, and probably the best compliment I received was when one of the other musicians made a request to purchase copies of the score after the service was over! I want to express my gratitude to Carl for requesting this piece and giving me the opportunity to add another useful composition to my output.

Premiers and Classical

CFCArts_MozartsMass_Poster_B-667x1024Both the Bel Canto Choir of Gateway High School and the Holy Redeemer School Choir did admirably with the other premier performances last week. I am sad that I was not able to capture audio for the performance of God, Your Golden Doorway Beckons, but hopefully I will be able to post audio or video for the other two pieces sometime soon.

After a three premiers last week, this week ushers in a return of my accompanying and directing responsibilities with the kick off to the summer season of the CFCArts Classical Choir. We are still looking for singers for the Mass in C Minor (K. 427) by Wolfgang Amadeus Mozart. Rehearsals will be on Thursday evenings with one concert performance on Friday, August 8, at St. John’s Lutheran Church in Winter Park, FL. If you are in the area, I encourage you to come and join the group!

Organ Improvisation

In addition to creating music for people such as the premiers or with people like the Classical Choir, I have been fascinated by the skills necessary to create music on the spot, especially at the organ. For that reason, I started a website a few months ago organimprovisation.com. I am pleased to announce that the site has been greatly expanded and that there is now a lesson handout on how to improvise a French toccata available when you sign up to receive the newsletter. I also just completed a newsletter series on the Four C’s of Improvisation that include a few helpful hints on becoming a better improviser. Even if you believe learning to improvise might be out of your reach, you could check out all the videos or recordings for some inspiration. I believe every musician should be able to improvise and can learn to do so if willing to practice.

Conferences

One of the events I always look forward to attending is the AGO national convention. This year it will take place in Boston, one of my favorite cities. While there are many different events to attend, you can be sure to find me at the events where improvisation will be the focus. I compiled a list of them here if you will be at the convention and wish to find me.

This year will be the first year that I attend the conference of the Association of Anglican Musicians. Last summer, I was able to attend the RSCM Course in Tulsa, so I am looking forward to attending a conference with more people who run RSCM programs. As an extra bonus, I’ll get to stop by New York City in between the two conferences and play for the Orlando Deanery Choir at St. Thomas. While I would not normally be excited about two weeks on the road, the music making and chance to see many friends make me look forward to this extended trip. If you will be at either of these conferences, I hope we can find each other and at least say hello!
Hoping you have a fun and adventuresome summer!

Glenn

Newsletter Issue 23 – 2014 06 02
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The Chariot Rolls On!

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The Chariot Rolls On

What a delight it was Monday evening to hear the Bel Canto Choir from Gateway High School under the direction of Chris Barletta give the premier performance of my composition, The Chariot. Knowing that the students had only a few rehearsals to learn the piece, I was quite pleased with the result. Check it out for yourself by clicking the picture below!

Faith Is Like a Mystic Spirit

At the conclusion of the piece as I was walking off stage, I told Chris that I’d have another piece for the group to learn for the Gateway High School Baccalaureate. By the end of the week, I had sent him a score for a new text by John Dalles, “God, Your Golden Doorway Beckons.” Unfortunately, it seems I took the text’s references to “a bold challenge we can claim…at the edge of what can be” a little too seriously and wrote a piece just out of reach for the number of rehearsal left. So I found another text (also by John Dalles) and produced something a little easier: “Faith Is Like a Mystic Spirit.” I went over to rehearse the choir last Friday and am now looking to the premier of this piece at the Gateway Baccalaureate on May 25.

Finishing a Piece

So what happens with “God, Your Golden Doorway Beckons”? The piece is written. Will it sit in a drawer until next year? Any one else interested in giving it a go? I love the text so much that I decided to program the piece with the school choir from Holy Redeemer for the eighth grade Graduation Mass. We won’t be able to sing all the harmony parts, but the melody alone (with piano accompaniment) will still provide a lovely rendition of this end of school year text. I may not have mentioned it in last week’s discussion of the 5 Ws, but it’s very difficult for me to write a piece of music if there is no ‘When’ on the calendar. Also, when the piece requires more than just one person to perform it, I never feel like it is truly finished until I’ve handed the score over to someone else to perform. This is when I realize what part of the music doesn’t exist on paper, and what I still need to write down. Even this scaled down performance with the school choir from Holy Redeemer will give me that opportunity I need to experience the piece and satisfies that “W’ that went missing on me.

40 Days After…

Sandwiched in between the graduation pieces above happens to fall the Feast of Ascension (40 days after Easter) and the premier of “God Is Gone Up” written for Dr. Carl MaultsBy and the St. Richard’s Schola. This is the second piece I’ve written for St. Richard’s and will make three premiers in one week! What an exciting way to bring the month of May to a close!

CFCArts_MozartsMass_Poster_B-667x1024Classical Choir

With all this talk about the end of the school year, it must mean that summer is almost here. For the past two years, I have had the pleasure of accompanying the CFCArts Classical Choir in their summer concerts. This summer, I will be playing for the group rehearsals and concert as they prepare the Mass in C Minor (K. 427) by Wolfgang Amadeus Mozart. If you are in the Orlando area, I encourage you to sign up and join the group. Rehearsals will be on Thursday evenings starting June 5. I was able to perform this work with the New York Philharmonic under the direction of Robert Shaw while I studied at Westminster Choir College, so I am looking forward to doing the piece again now almost twenty years later.

Wishing you a happy and safe Memorial Day and a beautiful start to your summer!

Glenn

Newsletter Issue 22 – 2014 05 20
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God, Your Golden Doorway Beckons

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Written May 9-10, 2014 for the Bel Canto Choir of Gateway High School under the direction of Chris Barletta. The text is by John Dalles. Music is scored for three part women’s choir with piano accompaniment. It was one of two pieces written for use at the Baccalaureate service at the end of the school year. The piece celebrates the success of graduation while looking forward to all the possibilities and challenges of the future. It will be premiered (in unison) at the Graduation Mass for Holy Redeemer Catholic School.

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Dilexisti Justitiam Video

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With additional orchestration, this is a live performance of Dilexisti Justitiam at the Missa Pontificalis in honorem Sanctae Venerandae (Virgin and Martyr).
2013/26/07
Performers: Coro e Orchestra della Cappella Musicale della Venerabile Reale Cappella di Santa Venera, Acireale
Conductor: Alessandro Maria Trovato

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Centennial Celebration Gloria

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Gloria.Centennial.Unison1 For many years when planning large multilingual diocesan celebrations, I felt Latin would be the best option for the Mass Ordinary. Because these special celebrations often are festive occasions where I had supplemental instrumental resources, using the traditional Latin chants always felt out of place, especially for the Gloria which follows so soon after what typically is a rousing entrance procession. Even though I love chant, the contrast between styles always seemed to make this hymn of praise more of a funeral dirge.

Finally, I took the time to write a more festive accompanied setting of the Latin text for the closing celebration of the Centennial of Holy Redeemer Catholic Church in Kissimmee, Florida. While I may eventually do an SATB version and instrumental parts, the piece was first performed by on June 30, 2013 in unison by the combined choirs of Holy Redeemer. There is a congregational-friendly refrain and the verses are marked for women/men/all choral groupings but could just as easily be sung by a cantor alone.

Purchase of the downloadable score grants permission to reprint as necessary for performance by the person or organization. All other rights (including further distribution) are reserved.

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Papal Alleluias

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Dr. Jennifer Pascual asked me to make the orchestral arrangements of the Alleluias for the Papal Masses in New York city in 2008. The Mass at St. Patrick’s Cathedral would use the Alleluia refrain from O Filii et Filiae. The Mass at Yankee Stadium used the refrain from VICTORY. Even though the melodic material was given, I knew I would have great players in the orchestra and a top-notch choir, so I had great fun making these arrangements.

CatholicTV still has the Mass from St. Patrick’s available here and the Mass at Yankee Stadium here. At Yankee Stadium, the Alleluia starts at 100 minutes into (about half-way through) the coverage on CatholicTV.

I wasn’t sure any of the broadcast video would still be up, so I went looking on YouTube first and found this excerpt which includes my arrangement of the Alleluia before the gospel is proclaimed: