With additional orchestration, this is a live performance of Dilexisti Justitiam at the Missa Pontificalis in honorem Sanctae Venerandae (Virgin and Martyr).
2013/26/07
Performers: Coro e Orchestra della Cappella Musicale della Venerabile Reale Cappella di Santa Venera, Acireale
Conductor: Alessandro Maria Trovato
Now available through Spotify:
God We Would Hear the Angels Sing
https://play.spotify.com/track/6SWLico6yFRm25yiwHbV27
Salve Regina
https://play.spotify.com/track/1LO9iHcTHKWK4uYEvX2m4N
Written by request for the choral concert given on May 22, 2011 by William Picher and the Basilica Choir with friends. The choral group for the day contained 16 singers, and Bill was looking for a 16-voice piece. I sat with this request for quite a while before finally settling on this text and the general style of the piece. Most of the piece is written for 8-part choir, but the middle section is a 16 part fugue. The recording below was made at the dress rehearsal prior to the concert.
Psalm 96: 1-3
Cantate Domino canticum novum:
Cantate Domino omnis terra.
Cantate Domino, benedicite nomini eius:
Adnuntiate diem de die salutare eius.
Purchase of the PDF download includes permission to reprint copies as necessary for performance.
For the upcoming CFAGO performance of The Crucifixion by John Stainer, there is a website offering midi files to download or listen to here. If you need a score, there are public domain versions available here. I am also in the process of setting the hymns “American style” for download here.
Listed below are .mp3 files for each voice part of my composition Ubi Caritas. Depending upon the browser, it may be necessary to control-click on the download link in order to save the file to disk.
This recording by the Basilica Choir and William Picher includes my composition Salve Regina. The piece was written specifically for them, and I was delighted that they chose to include it on their recording.
The CD is available for sale for $15 plus shipping and handling. It is also available at iTunes for immediate download here. This is the complete track list:
Regina caeli laetare, Alleluia,
Quia quem meruisti portare. Alleluia,
Resurrexit sicut dixit, Alleluia.
Ora pro nobis Deum. Alleluia.
Intended for use during the Easter Season, this is the second Marian antiphon I set for SSAATTBB choir. The traditional chant melody is cast in a modern tonal language. A piano reduction of the SSAATTBB piece provided in the score for rehearsals. The audio below was generated by the Finale music notation program.
Ave Regina caelorum,
Ave Domina angelorum,
Salve radix, salve porta,
Ex qua mundo lux est orta.Gaude Virgo gloriosa,
Super omnes speciosa;
Vale, o valde decora,
Et pro nobis Christum exora.
Intended for use during the Lenten Season, this is the third of the four Marian antiphons I set for SSAATTBB choir. The traditional chant melody is cast in a modern tonal language. A piano reduction of the SSAATTBB piece provided in the score for rehearsals. The audio below was generated by the Finale music notation program.
Alma Redemptoris Mater,
Quae pervia caeli porta manes,
Et stella maris, succurre cadenti,
Surgere qui curat, populo:
Tu quae genuisti, natura mirante,
tuum sanctum Genitorem,
Virgo prius ac posterius,
Gabrielis ab ore, sumens illud Ave,
peccatorum miserere.
Intended for use during the season of Advent, this is the fourth Marian antiphon I set for SSAATTBB choir. The traditional chant melody is cast in a modern tonal language. A piano reduction of the SSAATTBB piece provided in the score for rehearsals. The audio below was generated by the Finale music notation program.
There are four seasonal antiphons to the Blessed Virgin Mary used in the Catholic Church. When I was given the opportunity to write a new piece for the choir of the Basilica of the National Shrine of Mary, Queen of the Universe, these antiphon texts and chants seemed ideal material to work with. I started with the most well-known Salve Regina. I was so pleased with how it turned out that I decided to write settings for all four of the Marian Antiphons. Check them out on the pages below:
Written for Bill Picher and the professional choir of the Basilica of the National Shrine of Mary, Queen of the Universe in Orlando, FL, this setting of Salve Regina presents the traditional chant melody in a modern tonal language. While intended to be performed a cappella, there is a reduction of the SSAATTBB piece provided in the score for rehearsals. As the most popular and well-known Marian antiphon, this is the first of a set of four Marian antiphons that I composed.
The Basilica Choir included the piece on its most recent album “A Cappella Magic” which is available here or as a download from iTunes! You can now also hear the piece on Spotify.