On my way to creating a complete cycle of psalms with refrains based on hymn tunes, I’ve decided to start a list of currently available settings with video recordings. This post will be updated as I have more material to include.
After a few years of sitting figuratively “in the closet collecting dust,” I finally had an opportunity to brush up and record this composition for organ and brass quintet which I composed in 2014 for the wedding of my brother-in-law. This was written as the entrance procession for the attendants and bride to enter. There is a second movement for the recessional that I hope to get recorded as well.
After using the piece for several years at Chrism Mass in Orlando and Baltimore, I finally was able to capture a live performance recording to share. This was recorded (on my iPhone) at the Chrism Mass at the Cathedral of Mary Our Queen in Baltimore on 10 April 2017. The Archdiocesan choir had one rehearsal with the piece, though some of the people have sung it previously. There is a brass quintet playing choir two.
Written for a colleague who was searching for a Dupré-style setting of the Passion Chorale for use as a postlude on Palm Sunday, this piece was written in 2015 and will likely grow into either a larger set of variations on the tune or a collection of short pieces for Lent and/or Holy Week. Here’s the video from when I played it as the postlude for Mass this weekend.
A solo piece for soprano, organ, and trumpet written for and premiered at the Holiday Brass concert at the Cathedral of Mary Our Queen in Baltimore, MD on 29 November 2016. Video of the premier performance is below:
Downloadable score packet includes part for Trumpet in Bb and in C.
As part of a series of articles on Charles Tournemire at www.organimprovisation.com, I set about to actually compose a suite modeled on L’orgue mystique. Tournemire did not write much music for Advent, so I decided to use familiar melodies from that season as themes for each movement. Three of the five movements are written now, and I played the one based upon Nun komm der Heiden Heiland as prelude today at the Cathedral of Mary Our Queen. I hope to have the other movements finished soon.
In 2010, for a Marian celebration when William Picher hired 2 trumpets, strings, flute and timpani for a Mass at the Basilica of the National Shrine of Mary, Queen of the Universe, he asked me for an arrangement of Immaculate Mary. As this is a popular hymn for many Marian feasts, I eventually prepared a solo organ accompaniment version of the score. This reduced arrangement is included in their most recent CD of Marian Music: Ave Maria. It was always a pleasure to work with and write music for the Basilica Choir while I was in Orlando, and I am delighted that they continue to sing (and record) compositions and arrangements that I did for them.
One of the challenges in the Roman Catholic Church is trying to find ways to encourage and enable the congregation to sing. Unless you use a seasonal psalm refrain, this generally means the congregation has a new melody to learn every week with the responsorial psalm. Sure, you can build up a repertoire over time, but there’s not a lot of repetition in the three-year lectionary cycle. One of the easiest ways to learn a piece is through repetition, so I decided to use hymn tunes as melodies for the psalms. This reinforces the singing of the hymns and gives something familiar to the people for the psalm. I created numerous of these settings while at the Cathedral in Albany and now am in the process of revising them (and perhaps finishing the set) to go with the new Revised Grail Psalms. We used the first of these new revised hymn tune psalms at Mass this weekend for Advent 2.
Psalm 72 – Justice Shall Flourish
Refrain based on EIN FESTE BURG with Gelineau-style tone by Wm. Glenn Osborne
Jazz and Roman Catholic are two worlds that don’t meet up very often. Jazz has been used in other worship traditions, but the liturgical structure of Roman Catholic worship provides challenges for the free improvisatory nature of jazz. Yes, there are Jazz Masses that have been composed, but even most of those would be considered concert works and vary from the imposed structure of a liturgical celebration.
When we celebrate the anniversary of the dedication of the Cathedral of Mary Our Queen on Homecoming weekend, we are including Evening Prayer on Sunday afternoon. All of the music will be in the jazz idiom and accompanied by the Kevin Myers Quartet. In order to fit the liturgical requirements for the celebration, I composed two psalms, a canticle, and some other incidental responses. We had a first rehearsal with the singers and band leader Kevin Myers last Friday. Here are a few samples from the celebration. I hope to post videos from the celebration after it is over.