On my way to creating a complete cycle of psalms with refrains based on hymn tunes, I’ve decided to start a list of currently available settings with video recordings. This post will be updated as I have more material to include. Here’s the current list: Psalm 24 – Let the … Continue reading
The Cathedral of Mary Our Queen hosts 10 high school graduations every year in addition to having our own Cathedral School 8th grade ceremony. While not all of the schools use the popular piece by Elgar, enough of them do that I’ve had to find ways to amuse myself while playing these short 32 measures over and over again. The longest procession for 270+ graduates takes 23-25 minutes! After my first rehearsal, I knew I would need to work out some pistons for different registrations, and I also thought about how to create other variations to keep my mind occupied.
The piece basically has a melody, chords, and a bass line. I have a right hand, left hand, and feet. Through the rehearsals and graduations, I have managed to become skilled enough to play any of the parts of the piece with any of my appendages. Thus you get the following video presenting the options:
Not a perfect rendition, but an exploration of the variety of ways I keep myself entertained when I have 10 graduations to play for each spring. First six presentations in order are:
1)RH tune; LH chords; Ped bass
2)LH tune; RH chords; Ped bass
3) Ped tune; LH Bass; RH chords
4) Ped tune; RH bass; LH chords
5) LH tune; RH bass; Ped chords
6) RH tune; LH bass; Ped chords
It’s not perfect and the solo trumpet is at the other end of the building, but I thought it might be entertaining for you to see how I entertain myself during this season of graduations.
After a few years of sitting figuratively “in the closet collecting dust,” I finally had an opportunity to brush up and record this composition for organ and brass quintet which I composed in 2014 for the wedding of my brother-in-law. This was written as the entrance procession for the attendants and bride to enter. There is a second movement for the recessional that I hope to get recorded as well.
After using the piece for several years at Chrism Mass in Orlando and Baltimore, I finally was able to capture a live performance recording to share. This was recorded (on my iPhone) at the Chrism Mass at the Cathedral of Mary Our Queen in Baltimore on 10 April 2017. The Archdiocesan choir had one rehearsal with the piece, though some of the people have sung it previously. There is a brass quintet playing choir two.
Written for a colleague who was searching for a Dupré-style setting of the Passion Chorale for use as a postlude on Palm Sunday, this piece was written in 2015 and will likely grow into either a larger set of variations on the tune or a collection of short pieces for Lent and/or Holy Week. Here’s the video from when I played it as the postlude for Mass this weekend.
When I began my duties as Director of Music at the Cathedral of Mary Our Queen in January 2015, there was an opening on the concert series in March. This CD is the program that I played to fill that slot. The program reflects the season of the church year … Continue reading
A solo piece for soprano, organ, and trumpet written for and premiered at the Holiday Brass concert at the Cathedral of Mary Our Queen in Baltimore, MD on 29 November 2016. Video of the premier performance is below: Downloadable score packet includes part for Trumpet in Bb and in C.
As part of a series of articles on Charles Tournemire at www.organimprovisation.com, I set about to actually compose a suite modeled on L’orgue mystique. Tournemire did not write much music for Advent, so I decided to use familiar melodies from that season as themes for each movement. Three of the … Continue reading
In 2010, for a Marian celebration when William Picher hired 2 trumpets, strings, flute and timpani for a Mass at the Basilica of the National Shrine of Mary, Queen of the Universe, he asked me for an arrangement of Immaculate Mary. As this is a popular hymn for many Marian … Continue reading