My last lesson for www.organimprovisation.com featured instructions on transposition and suggested using a piece by Louis Vierne as the transposition exercise and a model for improvising. The piece is a relatively simple piece from the 24 Pièces en style libre: 1. Préambule.
After that, I followed the score as a model and improvised some imitation Vierne in F Major and in G minor. There are some hesitations as I searched for similar interesting tonal gestures without following exactly what Vierne did, but that’s why we practice. I decided to make this exercise my prelude this weekend, so there are two more that follow the score less slavishly in A minor and D minor as well.
The trio sonatas of J.S. Bach are musical gems and technical challenges. The first one I learned was Sonata No. 5 in C Major. Here is the first movement as I dust it off after letting the score rest in the file cabinet for a few years.
The Old Testament reading for the Twentieth Sunday in Ordinary Time Year C is the story of Jeremiah being thrown into a cistern where he is expected to sink into the mud and die. The Responsorial Psalm that follows is a set of verses from Psalm 40 with the refrain, … Continue reading
Organists always love to make lots of sound. Improvisers typically use both hands and feet to play almost all the time while improvising. This weekend, I thought I’d do something a little different and play only one note at a time during the offertory. Saturday evening, I improvised a slow … Continue reading
Georg Böhm wrote three settings of the chorale Vater unser im Himmelreich. This past weekend at the Cathedral of Mary Our Queen, I played the first one as prelude. With a rhythmic repeated chord accompaniment and ornamented solo presentation of the melody, it has inspired many of my improvisations.
The other two settings could also be models for improvisations, though the last is much more complicated. The second setting is a duo while the last one presents each phrase of the chorale in quasi-fugal imitation.
Here are two new videos from this Saturday’s 5pm Mass at the Cathedral of Mary Our Queen. First up is the responsorial psalm for the 14th Sunday in Ordinary Time Year C. While the chords are triadic in summary, both the right and left hands almost always play only fourths … Continue reading
One of the refrains that has survived from my first set of psalms written in 1995 with psalm tone and verses from the new Revised Grail Psalter. The choir is in a new location for this Mass, just over my right shoulder in the front area of the upper sanctuary. We have previously been in the back area of the upper sanctuary much closer to the organ.
Recorded live 2 April 2016 (iPhone)
Cathedral of Mary Our Queen
Psalm 103 with the response “The Lord is kind and merciful,” appears several times in the lectionary cycle. This was recorded at a wedding, so the small congregation is hard to hear. Only two verses are included in this video because the lack of memory on my iPhone prevented me from capturing the entire psalm setting.