Music is a language. Through it we express joys and sorrows beyond words. Composers across the centuries have given us pieces crafted in the language of music that we perform repeatedly. We trust in their skills and creativity to create the atmosphere or transmit our feelings to others.
In our spoken language however, we do not rely upon great writers to express ourselves. Imagine trying to have a conversation where you could only quote Shakespeare. While we may not be great writers or even great orators like Abraham Lincoln or Martin Luther King, Jr., we are all capable of putting words together and conveying our thoughts to another person in a coherent manner.
For me, improvisation becomes the ability to converse in the language of music. When we enter the world of music, why do we suddenly lose faith in our own ability to communicate? Everyone learns his or her native language, and perhaps a few others. All musicians should learn not just to recite the music others have provided but to create their own expressions in music. Complex sentences and large structures are not required in our everyday conversations. Why should we consider a good improviser only someone who can make complex music? To improvise well should be as easy as speaking a well-constructed sentence.
For the AGO workshop on October 14, I want to help you learn to express yourself in music. Whether you are an advanced or beginner organist, skilled improviser or scared to death of improvising, I believe looking through the simile of language will offer you ways to increase your improvisation skills. After some introductory remarks, I want to help you convey your thoughts in music. Come with your questions and, if you are willing, prepared to sit on the organ bench. If you can speak English, then you can speak music.