Organ Performance Audios

As not all of my performances were recorded with video, I am including a few audio recordings for your listening pleasure below.

  • 1. Couperin - Listen now     
    François Couperin. “Elevation – Tierce en taille” from Messe pour les Convents.
    Cathedral of Auch, France. Organ from 1688 built by Jean de Joyeuse.


  • 2. Dupré - Listen now     
    Marcel Dupré. “Crucifixion” from Symphonie-Passion.
    Westminster Presbyterian Church, Albany, NY.


  • 3. Duruflé - Listen now     
    Maurice Duruflé. “Sicilienne” from Suite.
    First Presbyterian Church, Troy, NY.


  • 4. Grigny - Listen now     
    Nicolas de Grigny. “Offertoire” from Livre d’orgue.
    Cathedral of Auch, France. Organ from 1688 built by Jean de Joyeuse.


  • 5. Vierne - Listen now     
    Louis Vierne. “Cantilene” from Symphonie n. 3.
    Cathedral of Aix-en-Provence, France.

A Year of God’s Favor

AYearofGodsFavorCoverOriginally written for the Diocesan Youth Choir formed to sing for the Chrism Mass at the Cathedral of the Immaculate Conception in Albany, NY in 2005, This setting of Delores Dufner’s text “A Year of God’s Favor” is scored for SAB choir, piano and optional flute, oboe and violoncello. The audio below was generated by the Finale music notation program.

1. Listen now     


To Love Is to Be Breakable

To Love Is To Be CoverComposed at the request of Dr. Carl MaultsBy, Director of Music/Organist at St. Richard’s Episcopal Church in Winter Park for a service of Evensong in commemoration of C.S. Lewis at Knowles Chapel on the campus of Rollins College. The text is a paraphrase of C.S. Lewis by John Dalles. While the piece is written in an advanced tonal language dividing into SATB, most of the composition is in unison or two-part. The audio below was generated by the Finale music notation program so does not reflect the registrations indicated for the organ.

1. Listen now     


Louis Vierne meets The Munsters

For the CFAGO Spooktacular, I decided to write a new piece for organ. Unfortunately, I was not able to record the performance at the Chapel at the Towers, so instead I decided to attempt a recording tonight (10/31/2013) after the vigil Mass for All Saints was over at Holy Redeemer. Because the organ console is in a pit at the front of the church, I often have people come speak to me while I’m playing, and tonight was no exception (c. 3″ in tonight). I hope you enjoy the piece and can look past any bobbles I might have made from the distractions. Happy Halloween!

1. Listen now     

Rondo Fanfare

Composed in October 2013 for the Sovereign Brass Union, this 3-minute fanfare is for 10-piece brass ensemble and organ it was premiered in concert at the Basilica of the National Shrine of Mary, Queen of the Universe on November 3 at the Power and Glory of Brass Concert. The audio below was generated with the Finale music notation program.

1. Listen now     

Fanfare on ‘National Hymn’

BNSMQU Michael Face
On Sunday, September 29, a new statue of St. Michael will be dedicated at the Basilica of the National Shrine of Mary, Queen of the Universe. Discovering that there would be an additional procession of banners, music director Bill Picher asked if I would make a short fanfare arrangement of the tune “National Hymn’ to provide music for the extra procession. With only a few days to complete the project, I got to work as quick as I could.

Here’s a video from a rehearsal at the Cathedral of Mary Our Queen:


Cantate Domino

Written by request for the choral concert given on May 22, 2011 by William Picher and the Basilica Choir with friends. The choral group for the day contained 16 singers, and Bill was looking for a 16-voice piece. I sat with this request for quite a while before finally settling on this text and the general style of the piece. Most of the piece is written for 8-part choir, but the middle section is a 16 part fugue. The recording below was made at the dress rehearsal prior to the concert.

1. Listen now     

Psalm 96: 1-3
Cantate Domino canticum novum:
Cantate Domino omnis terra.
Cantate Domino, benedicite nomini eius:
Adnuntiate diem de die salutare eius.

Purchase of the PDF download includes permission to reprint copies as necessary for performance.

Salvator Mundi

One of the difficulties in using a historical musical setting of the Latin Mass in the Novus Ordo is the lack of Memorial Acclamation and Amen. With only two syllables, it’s usually pretty easy to do some text replacement and derive an Amen from material in other movements. It may even be possible to simply use the amen found at the end of the Gloria or Credo as a stand alone Eucharistic acclamation. The Memorial Acclamation, regardless of the text option chosen, proves a much tougher challenge.

For the Choral Mass on February 22, 2013, at the Basilica of the National Shrine of Mary, Queen of the Universe, Dr. William Picher gave me the task of creating something for him to use alongside Palestrina’s Missa Papae Marcelli. While I initially wrote something for the SATTBB voicing that Palestrina uses, I forgot that this was to be a Latin Mass and set the English response “Save Us, Savior of the World.” Mea culpa. As six contrapuntal voices seemed a bit of a stretch for me in the limited time I had to prepare the piece, when I started over again with the equivalent Latin text, I opted for the more traditional (and perhaps more useful) SATB voicing.

I hope to have a recording of live singers performing the piece after February 22. In the meantime, the music notation program Finale has provided this rendering:

1. Listen now     

Salvator mundi, salva nos, qui per crucem et resurrectionem tuam liberasti nos.
Lord, by your cross and resurrection you have set us free. You are the Savior of the world.

Rehearsal Preparation

For the upcoming CFAGO performance of The Crucifixion by John Stainer, there is a website offering midi files to download or listen to here. If you need a score, there are public domain versions available here. I am also in the process of setting the hymns “American style” for download here.

Listed below are .mp3 files for each voice part of my composition Ubi Caritas. Depending upon the browser, it may be necessary to control-click on the download link in order to save the file to disk.

  • Soprano –
    1. Download     
    2. Listen now     

  • Alto –
    3. Download     
    4. Listen now     

  • Tenor –
    5. Download     
    6. Listen now     

  • Bass –
    7. Download     
    8. Listen now