Centennial Celebration Gloria

Gloria.Centennial.Unison1 For many years when planning large multilingual diocesan celebrations, I felt Latin would be the best option for the Mass Ordinary. Because these special celebrations often are festive occasions where I had supplemental instrumental resources, using the traditional Latin chants always felt out of place, especially for the Gloria which follows so soon after what typically is a rousing entrance procession. Even though I love chant, the contrast between styles always seemed to make this hymn of praise more of a funeral dirge.

Finally, I took the time to write a more festive accompanied setting of the Latin text for the closing celebration of the Centennial of Holy Redeemer Catholic Church in Kissimmee, Florida. While I may eventually do an SATB version and instrumental parts, the piece was first performed by on June 30, 2013 in unison by the combined choirs of Holy Redeemer. There is a congregational-friendly refrain and the verses are marked for women/men/all choral groupings but could just as easily be sung by a cantor alone.

Purchase of the downloadable score grants permission to reprint as necessary for performance by the person or organization. All other rights (including further distribution) are reserved.

RSCM Tulsa

Prelude and Fugue on themes from RSCM Tulsa 2013This past week I was able to attend the RSCM Tulsa Course with Malcolm Archer as director and Bruce Neswick as organ instructor. It was a wonderful week of music making which included the following partial repertoire list:

  • Missa omnes sancti – Malcolm Archer
  • Rejoice in the Lamb – Benjamin Britten
  • Magnificat and Nunc Dimittis in A – Stanford

Included as part of the week’s activities was a talent show on Saturday evening. After deciding to perform a piano duet with another participant, I offered to write a piece for us to play. In addition to themes from the pieces listed above, I included a musical rendition of the name of our conductor for the week: M-A-L-C-O-L-M A-R-C-H-E-R. I was a little concerned about meeting the deadline with so little free time in between and after rehearsals, but I think the piece was clearly a success, especially for all those who recognized the theme citations. The video below was recorded on my iPhone. Enjoy!

Alphabetical list of my hymn tunes

For a list of tunes sorted by meter, please click here.

  • Azure Blue – CM
  • Advent Beginnings – 10 10 11 10
  • Bitterwood – 76 76D
  • Casser – 11 11 11 11
  • Changing Words – 77 77D
  • Chaos Shelter – 87 87 with refrain
  • Classic Unity – CM
  • Demon Driven – 87 87D
  • Double Unity – CMD
  • Easter Morn – 88 88 88
  • Elm Street – LM
  • Extended Cloud – 77 76
  • Faithful Church – 11 11 11 11 with refrain
  • Farewell Friend – LM
  • Friends Today – 87 87D
  • Glad Acclaim – CM
  • Green World – 77 77 with refrain
  • Hillside Wheat – 87 87D
  • Hubbard – 66 67D
  • Idle Depths – 85 75
  • Light Unfading – 87 87 87
  • Living Church – LM
  • Love Me Not – CM
  • Matinal – 86 88
  • Merciful Shadow – SM
  • Mystic Spirit – 87 87 77
  • No Royal Crown – LM
  • Present Here – CMD
  • Proud Wisdom – 10 9 10 9
  • Refuge Call – SM
  • River’s Child – 7777
  • Rooted Chain – 87 87D
  • Sea Fishing – 88 88 88
  • Sea Walk – LM (w/repeat)
  • Sent Forward – 11 8 11 9 with refrain
  • Steadfast Mercy – SM
  • Trampled Shame – SM
  • Trusting Christ – CM
  • Unexpected Harmony – 87 87 87
  • Unfading Light – 87 87
  • Weary World – 76 76 D
  • 1 more unnamed tune

Cantate Domino

Written by request for the choral concert given on May 22, 2011 by William Picher and the Basilica Choir with friends. The choral group for the day contained 16 singers, and Bill was looking for a 16-voice piece. I sat with this request for quite a while before finally settling on this text and the general style of the piece. Most of the piece is written for 8-part choir, but the middle section is a 16 part fugue. The recording below was made at the dress rehearsal prior to the concert.

1. Listen now     

Psalm 96: 1-3
Cantate Domino canticum novum:
Cantate Domino omnis terra.
Cantate Domino, benedicite nomini eius:
Adnuntiate diem de die salutare eius.

Purchase of the PDF download includes permission to reprint copies as necessary for performance.

Hymn Tunes by meter

Listed below are the named hymn tunes I have written sorted by meter. For an alphabetical list, please see my post here.

CM

  • Azure Blue
  • Classic Unity
  • Glad Acclaim
  • Love Me Not
  • Trusting Christ

CMD

  • Double Unity
  • Present Here

LM

  • Elm Street
  • Farewell Friend
  • Living Church
  • No Royal Crown

LM with repeat

  • Sea Walk

SM

  • Merciful Shadow
  • Refuge Call
  • Steadfast Mercy
  • Trampled Shame

66 67D

  • Hubbard

76 76D

  • Bitterwood
  • Weary World

77 76

  • Extended Cloud

77 77

  • River’s Child

77 77 D

  • Changing Words

77 77 with refrain

  • Green World

85 75

  • Idle Depths

86 88

  • Matinal

87 87

  • Unfading Light

87 87 with refrain

  • Chaos Shelter – 87 87 with refrain

87 87 77

  • Mystic Spirit

87 87 87

  • Light Unfading
  • Unexpected Harmony

87 87D

  • Demon Driven
  • Friends Today
  • Hillside Wheat
  • Rooted Chain

88 88 88

  • Easter Morn
  • Sea Fishing

10 9 10 9

  • Proud Wisdom

10 10 11 10

  • Advent Beginnings

11 8 11 9 with refrain

  • Sent Forward

11 11 11 11

  • Casser

11 11 11 11 with refrain

  • Faithful Church

CFAGO Easter Hymn Sing

Event Description:

Join with the
Central Florida Chapter of the American Guild of Organists and the Orlando Brass Quintet to celebrate the season of Easter in song. Among the hymns included on the program will be Jesus Christ Is Risen Today, O Sons and Daughters, Now the Green Blade Rises. Come even if you just want to listen because this will be a glorious occasion to bask in the joy of Eastertide.

Event Date

05/14/2013

Event Time

7:00 pm

Event Venue

Holy Redeemer Catholic Church
1603 N. Thacker Ave.
Kissimmee, FL 34741

O Sons and Daughters

This is an arrangement of the Easter Hymn O Filii et Filiae for SATB choir, organ and brass quintet. It was originally written for the 25th anniversary of the episcopal ordination of Howard Hubbard as Bishop of the Diocese of Albany. The event was celebrated on the Second Sunday of Easter and needed a lengthy piece for the entrance procession. In addition to including all nine verses of the hymn there are interludes between each verse. This arrangement served as the basis for the later arrangement used at St. Patrick’s Cathedral for the Papal visit to New York City.

The score packet includes a full score, choral score, and parts for organ, horn, trumpet 1, trumpet 2, trombone 1, and trombone 2. Purchasers are granted permission to print or reprint scores as necessary for performance.

Papal Resignation

With the surprise announcement of Pope Benedict XVI’s retirement this month, this Friday’s Choral Mass will take on a special significance. While I hope everyone was planning on attending to hear the fabulous music (including some new compositions), in this time of transition, I hope more people will attend to give thanks for the leadership Pope Benedict XVI has provided and that a worthy successor may be found for the Chair of Peter.
I am thankful for the opportunities that I had to sing and compose music for the Papal visit to New York City. It was a very memorable occasion that, even though stressful at times, is something I’d be happy to do again for the new pope.

Salvator Mundi

One of the difficulties in using a historical musical setting of the Latin Mass in the Novus Ordo is the lack of Memorial Acclamation and Amen. With only two syllables, it’s usually pretty easy to do some text replacement and derive an Amen from material in other movements. It may even be possible to simply use the amen found at the end of the Gloria or Credo as a stand alone Eucharistic acclamation. The Memorial Acclamation, regardless of the text option chosen, proves a much tougher challenge.

For the Choral Mass on February 22, 2013, at the Basilica of the National Shrine of Mary, Queen of the Universe, Dr. William Picher gave me the task of creating something for him to use alongside Palestrina’s Missa Papae Marcelli. While I initially wrote something for the SATTBB voicing that Palestrina uses, I forgot that this was to be a Latin Mass and set the English response “Save Us, Savior of the World.” Mea culpa. As six contrapuntal voices seemed a bit of a stretch for me in the limited time I had to prepare the piece, when I started over again with the equivalent Latin text, I opted for the more traditional (and perhaps more useful) SATB voicing.

I hope to have a recording of live singers performing the piece after February 22. In the meantime, the music notation program Finale has provided this rendering:

1. Listen now     

Salvator mundi, salva nos, qui per crucem et resurrectionem tuam liberasti nos.
Lord, by your cross and resurrection you have set us free. You are the Savior of the world.